newnumber6: Ghostly being (Default)
So, let's see, what else is new?
Let's start with TV.

Fear The Walking Dead's over for the year and.. well, it's not great, there were plenty of stupid things, plotwise, and stupid people, but on the whole I'm still enjoying it, I just question some of the decisions. It's not as good as the Walking Dead, but if it comes back, I'll still watch it. And I'll say something that's probably controversial, at least among reactions I've read elsewhere on the net: I actually like most of the main cast, even the teens. Well, the youngest one's kind of an annoying snot at times, and they all have their stupid moments, but I think the family has good chemistry.

Doctor Who's back. So far it's... well, it's Doctor Who. I still would like to see Moffat go and be replaced with somebody who know how to craft a compelling coherent story rather than stringing together good moments that don't make any sense when you think about it (and often relying on the same old tropes over and over again). But it's enjoyable enough that I'll keep watching, and there's the sense of wonder that'll never completely go away.

Heroes Reborn? Meh. I watched the premiere. I have the third ep (1st ep after the 2 hours), but I haven't watched it yet. That says something, doesn't it? I was kind of hoping they'd go all out reboot with an explicit alternate universe. Instead, they seem to have just continued, and worse, they've not learned the lessons from last time, throwing too much stuff in it and not really considering how it all fits together or how consequences of what you include might mean down the road. And the video game nonsense just makes me want to shut it off.

That's alot of mixed reactions. Is there anything good?

Well, it's not quite TV, but I've gotten quite fond of Critical Role over the last several weeks, on Geek & Sundry. It might be the closest thing to a new TV-ish obsession. It's a bunch of somewhat famous voice actors from cartoons and video games playing a tabletop campaign of Dungeons and Dragons. It's actually a continuation of a campaign they did privately for fun for something like 2 years before, and they just decided to put it online, so if you start on the first ep you're actually starting in the middle of the adventure (which also means that you can pretty much start anywhere). It's turned out to be a big hit and is probably the biggest thing on G&S's twitch channel, live every Thursday night for something like 3 hours (occasionally more). It's just fun seeing a bunch of friends enjoying the game and, since they're all actors, they use voices and such for their characters (and the DM has a big assortment of voices himself), making me nostalgic for my own days of gaming and almost wanting to try and pick it up again, and sometimes they have fun guest stars (Wil Wheaton and Felicia Day have both guested for two weeks, but not at the same time... also, although it wasn't officially Critical Role, Vin Diesel just played a game with the DM and some of the members and really enjoyed it and supposedly there's talk of him playing a guest role too). I don't know how well it would translate to people unfamiliar with D&D tabletop, but it's a bit like a radio play with a lot of dice rolls determining things. So I'll recommend it anyway.

As for other new or returning shows, nothing's really started yet that I've gotten into. I checked out Blindspot because one of the secondary-character regulars is actually one of the players on Critical Role (she had to leave as a regular when she started working on the series, but she's open to returning for guest spots or hiatuses), but really, it doesn't do much for me. Castle, meh, the relationship tension/conspiracy of this year's just not working for me... the only thing that is, is Castle and his daughter's kind of doing a Veronica Mars vibe - but they need to at least acknowledge that with some kind of reference! Flash and Arrow restart this week, as does iZombie and Agents of SHIELD returned last week, which is solid but not exciting.

Speaking of Marvel, I finally watched Avengers: Age of Ultron. It wasn't as good as the first movie, but it was fun. I do have some complaints, which are a bit spoilery if I'm not the only one who hadn't seen it until recently. Read more... )So I guess you could say all the new Avengers were poorly handled.

Anyway, on to the Book Foo. Blah blah blah copied from my Goodreads blah blah blah mostly non-spoilery beyond back-of-the-book type stuff unless I warn.

Finished: The Red/First Light by Linda Nagata
In "The Red: First Light" (variously called solely by the part either before or after the colon, depending on edition and publisher... mine is simply The Red) tells of Lieutenant James Shelly, who leads a squadron of soldiers on a near future mission that he cynically believes is more about making money for defense contractors than it is about any actual purpose. But while he scoffs at the leadership decisions, he believes in the people and the brotherhood, even while knowing that some of that is manipulated by hi-tech equipment. Still, he does his best to keep his people alive using his skills and wits... and one thing extra. Somebody has been giving him warning when things aren't quite right, warnings that have saved the lives of his squad several times, warnings his leadership can't seem to stop. And it may be that an emergent, globe-spanning artificial intelligence exists, and has taken an interest in Shelly... but probably just as a tool to its own ends, to be discarded at its whim.

This may be my favorite Earthbound military SF ever.Read more... )Overall, I really enjoyed this and will definitely be picking up the sequels. One final note that has nothing to do with the story, but I loved nonetheless. The publisher is releasing these books simultaneously, not just in hardcover and ebook form, but also in paperback (and not even the oversized trade paperback format, but the mass market kind that can fit into a large pocket). I love paperbacks, and having this choice right from the publication date, instead of having to wait six months to a year, makes me so happy that I just had to mention it. I've always wanted books to go this way, only to be told by those I trust to be more knowledgeable, that this wasn't feasible or profitable. I don't know if the people telling me these things were wrong, or things changed, or this publisher's making a crazy gamble that will lead them to ruin, but I love them for it all the same and it's making me more eager to get the second and third book.

Finished: Cinder by Marissa Meyer
A SF take on Cinderella, in which Linh Cinder is a cyborg living in New Beijing, and because cyborgs have limited rights, is technically the property of her stepmother. But she's also an extremely skilled mechanic, and in this capacity she meets the prince, who doesn't realize she's a cyborg and takes a liking to her. Read more... )It's not the kind of book that I'd make a regular habit of reading, but for once-in-a-while it does hit the spot, and it was skilled enough with its particular approach that I was impressed enough that I'm probably going to check out the rest of the series (where the author recasts other fairy tales in the same SF universe). I'd say it's almost certainly worth checking out if this is the kind of thing that already interests you, and if you're iffy on it... it still might be worth a try.

Finished: Anathem by Neal Stephenson
Erasmus lives a simple existence, owning few possessions by vow, and living in a monastic environment which only opens its doors to the outside world every ten years (other orders only open on longer periods). Inside, in addition to the usual interpersonal dramas with the rest of his order, he gets involved in logical debates and philosophical discussions. But there are things going on in the outside world, and member of his order are getting called by the government outside, a government his order is separate from but beholden too. For this is not a religious order (although individual members may believe in God), this is how scientists live, on a world that is not Earth. Read more... )I was almost always engaged and excited about what would happen next, despite the fact that not a lot was happening at any given part. Truly this is one of those books where the journey is more important than the destination, and, as stated before, a master class in building an alternate world.

Finished: The Deaths of Tao by Wesley Chu
(synopsis behind cut because it's the second book in a series)Read more... )The last one I scored a three, and despite liking it less, numerically, this one I think I'd give the same... but it's a much lower three, possibly rounded up from a very high two. It does gets a bonus point for an obscure Alpha Flight reference, which would bring would theoretically bring it up to a four (see disclaimer).

Disclaimer: Said bonus point normally exists in a idyllic seeming alternate dimension and will only appear when the normal review is threatened... at all other times, the rating will be a plain unassuming-looking three.

Continued next post because apparently the post is too large for LJ.
newnumber6: Ghostly being (Default)
First, happy birthday [livejournal.com profile] fenrishero!!!

Also, new comic day today. This week I got one book, my only comic left:

New Mutants #10 (not bad for a standalone issue)

Full reviews as usual at my comic reviews site for anyone interested.

Also picked up The Year's Best SF 13 at the used bookstore.

And, a meme...
The Meme: Comment and I'll pick one (unless you want more) of your fandoms, post the answers to your journal and so on and so forth.

[livejournal.com profile] donna_c_punk asked about:

Heroes
Not so much fannish anymore, but I do sort of watch.
Read more... )
newnumber6: Ghostly being (Default)
At 12,000 words (I round, but only down), not bad, on a decent pace. Completed one story, start to finish. Not a good one, probably unsaleable at least without massive rewriting, but finished. Got into a bit of a groove of a longer work I've been noodling around in my head for a while, too. So it's going pretty easy.

Watched V last night. And... well, it wasn't bad, at first. In fact, I quite enjoyed the first 20-30 minutes of it. Lots of people I recognized too. But after that, my interest started to wane... (spoilers ahoy):Read more... )

And Heroes. Man, when I said it was marginally better this year? I was not expecting the last episode. CRAP. (Big spoilers):

Read more... )

Edit: Oh, and the "Stop the TV Tax" vs "Keep Local TV alive" commercials have been annoying for awhile but, leaving aside the issues entirely for a moment... I really want to punch the the "Stop the TV Tax" spokesman in the face. I just wanted to say that.

TV roundup

Oct. 11th, 2009 10:32 am
newnumber6: Ghostly being (Default)
Starting as usual with PoG links.

Advice: Advice from SF/Comic Creators to people starting out in the field... (April 16, 1992)
Part One: Nancy Kress (read as much as you can, and persist, and don't write only when you're in the mood), Candas Jane Dorsey (what makes bad SF, the "Rod and Don Dialogue"), Lewis Shiner (don't start, it's a tremendously discouraging business, and if you're going to, get a day job), Kathy Gale (UK Editor, always submit in a professional way),
Part Two: Kim Stanley Robinson (responding on OSC's advice of "Primacy of Event over Character" and Card not following his own advice, kind of rips on Card a bit too), Tanya Huff (on the pros and cons on writer's groups), Ed Bryant (on Writer's Workshops like Clarion), Dan Simmons (on how the Milford Writer's Workshop helped him), Neil Gaiman (on his experience at a Milford and learning nothing about writing but learning about reading), shift in focus to comics. Frank Miller (know what you want)
Part Three: Fabian Nicieza (take writing courses, plan to have another career, work through independents/small press), M.W. Kaluta (on how he got his first full professional gig on The Shadow, and his advice), Gene Colan (you have to love it, don't do it for the fame), Sergio Aragones (practice, and think ahead at how the world may change). Summary from the host, and a closing clip from Dan Piraro (stay away, I don't want the comptetition)

Farewell (Season 1 finale)
Assorted promotions, Dick Tracy (movie and the then-recent comics), TMNT (in advance of the first live action movie), Cartoon All-Stars to the Rescue, Archie news, Incredible Hulk comic, 1990 Earth Day, interviews with Max Collins, Rob Salem, artist Dale Keown... very disjointed and none of it terribly interesting so I won't do the full clip-by-clip summary. Part One: Part Two: Part Three:

Memory (December 8, 1993)

How we're defined by our memories, in SF and Fantasy and comics
Part One: Lynda Barry (on what bring childhood memories for her, a trick for remembering things in a different way that you wouldn't normally, triggering other people's memories in writing), Neil Gaiman (on converting his memories into a comic and being replaced by it), Dave McKean (on using collages to represent memory), Neil Gaiman (on suddenly realizing something about your childhood memories as an adult because as child you don't know what's significant), Michael Moorcock (on his childhood memories of WWII shaping the landscapes of his fiction)
Part Two: Harlan Ellison (on what triggers memories for him, and exorcising hurtful memories with writing, and gives a couple of his favorite quotes about memories), Howard Hendrix (on the memory of his brother shaping one of his stories, and the difference of how memory in fiction compared to real life), Harry Harrison (on how memory works, short term vs long term memory, and the disadvantages to a linear memory of computers)
Part Three: William Gibson (on Agrippa, and Cyberspace as a metaphor for memory), Iain M. Banks (on his fascination with memory and the links between identity and memory), Brian Aldiss (on writing his own autobiography, and a story of a memory he'd written when he was 16), Edward Bryant (on how our memory shapes us and lack of memory also influences us)

Medicine and Nanotechnology (December 1, 1993)
Part One: Frederick Pohl (on people selling off organs to finance their trip to Gateway, and the real black market for organs), Nancy Kress (on writing "The Mountain to Mohammed", and her growing concern about health insurance, and the tough choices involved in controlling medical costs, and worries about gene scanning to mark people as uninsurable), Joel Davis (on the Human Genome Project changing the way medicine is practiced)
Part Two: Joel Davis again (on who owns the rights to the drugs created by using human DNA), Nancy Kress (on relaxing the controls of testing drugs on the dying), John Clute (on nanotechnology as a trend in SF), William Gibson (on including nanotech in Virtual Light, and finding it creepy), Tony Daniel (on Nano as the 'new magic' of SF), Stven Barnes (on linking Nanotech and Dinosaurs in The Barsoom Project, and where he researched it), Ian McDonald (on including nanotech in Necroville and his ideas of what resurrecting the dead might mean)
Part Three: Michael Skeet (on his story Relics, and whether writers get carried away with nanotech), Dave Smeds (on the practical obstacles to reaching nanotech), Greg Bear (on writing Blood Music before nanotechnology really became well-known, and why he use it, and his own sins of treating nanotech as 'magic', and the legacy of the Frankenstein image, and his own feeling that we need to know as much as possible)

Next Week, Writer's Workshops, Games, and Awards, the last set of PoG links until the person posting them posts some more, I guess.

In other TV news, what's been new... Heroes, meh. I think it's the last year anyway, so its not really worth getting worked up about, but the developments in the latest ep do not particularly interest me. Flashforward is still entertaining in terms of its normal plot and it's done a good job of keeping me interested with some of the twists they've introduced, although some sloppiness with how the visions work still annoys me.

Glee's still okay, but I'm finding the main characters less and less likable with each ep, with a few exceptions (I liked the Quinn/Rachel scene in this week's episodes) and they really need to start focusing on the minor characters.

Supernatural had a solid MOTW episode.

The big TV story for me was that Stargate Universe had the third part of its premiere, and again, not bad. There's a couple spoilery elements I want to talk about behind the cut (including a possible "I CALLED IT" moment), and some speculation/wonderings for the future: Read more... )


I think that's it for this week. It's Thanksgiving Weekend here in Canada, so to all the Canucks on my list, Happy Thanksgiving. Except, not for me. Apparently most of my immediate family is working this weekend, including tomorrow, so we won't be doing anything until sometime a little later. So no big meal for me, alas. Oh well.

TV roundup

Oct. 11th, 2009 10:32 am
newnumber6: Ghostly being (Default)
Starting as usual with PoG links.

Advice: Advice from SF/Comic Creators to people starting out in the field... (April 16, 1992)
Part One: Nancy Kress (read as much as you can, and persist, and don't write only when you're in the mood), Candas Jane Dorsey (what makes bad SF, the "Rod and Don Dialogue"), Lewis Shiner (don't start, it's a tremendously discouraging business, and if you're going to, get a day job), Kathy Gale (UK Editor, always submit in a professional way),
Part Two: Kim Stanley Robinson (responding on OSC's advice of "Primacy of Event over Character" and Card not following his own advice, kind of rips on Card a bit too), Tanya Huff (on the pros and cons on writer's groups), Ed Bryant (on Writer's Workshops like Clarion), Dan Simmons (on how the Milford Writer's Workshop helped him), Neil Gaiman (on his experience at a Milford and learning nothing about writing but learning about reading), shift in focus to comics. Frank Miller (know what you want)
Part Three: Fabian Nicieza (take writing courses, plan to have another career, work through independents/small press), M.W. Kaluta (on how he got his first full professional gig on The Shadow, and his advice), Gene Colan (you have to love it, don't do it for the fame), Sergio Aragones (practice, and think ahead at how the world may change). Summary from the host, and a closing clip from Dan Piraro (stay away, I don't want the comptetition)

Farewell (Season 1 finale)
Assorted promotions, Dick Tracy (movie and the then-recent comics), TMNT (in advance of the first live action movie), Cartoon All-Stars to the Rescue, Archie news, Incredible Hulk comic, 1990 Earth Day, interviews with Max Collins, Rob Salem, artist Dale Keown... very disjointed and none of it terribly interesting so I won't do the full clip-by-clip summary. Part One: Part Two: Part Three:

Memory (December 8, 1993)

How we're defined by our memories, in SF and Fantasy and comics
Part One: Lynda Barry (on what bring childhood memories for her, a trick for remembering things in a different way that you wouldn't normally, triggering other people's memories in writing), Neil Gaiman (on converting his memories into a comic and being replaced by it), Dave McKean (on using collages to represent memory), Neil Gaiman (on suddenly realizing something about your childhood memories as an adult because as child you don't know what's significant), Michael Moorcock (on his childhood memories of WWII shaping the landscapes of his fiction)
Part Two: Harlan Ellison (on what triggers memories for him, and exorcising hurtful memories with writing, and gives a couple of his favorite quotes about memories), Howard Hendrix (on the memory of his brother shaping one of his stories, and the difference of how memory in fiction compared to real life), Harry Harrison (on how memory works, short term vs long term memory, and the disadvantages to a linear memory of computers)
Part Three: William Gibson (on Agrippa, and Cyberspace as a metaphor for memory), Iain M. Banks (on his fascination with memory and the links between identity and memory), Brian Aldiss (on writing his own autobiography, and a story of a memory he'd written when he was 16), Edward Bryant (on how our memory shapes us and lack of memory also influences us)

Medicine and Nanotechnology (December 1, 1993)
Part One: Frederick Pohl (on people selling off organs to finance their trip to Gateway, and the real black market for organs), Nancy Kress (on writing "The Mountain to Mohammed", and her growing concern about health insurance, and the tough choices involved in controlling medical costs, and worries about gene scanning to mark people as uninsurable), Joel Davis (on the Human Genome Project changing the way medicine is practiced)
Part Two: Joel Davis again (on who owns the rights to the drugs created by using human DNA), Nancy Kress (on relaxing the controls of testing drugs on the dying), John Clute (on nanotechnology as a trend in SF), William Gibson (on including nanotech in Virtual Light, and finding it creepy), Tony Daniel (on Nano as the 'new magic' of SF), Stven Barnes (on linking Nanotech and Dinosaurs in The Barsoom Project, and where he researched it), Ian McDonald (on including nanotech in Necroville and his ideas of what resurrecting the dead might mean)
Part Three: Michael Skeet (on his story Relics, and whether writers get carried away with nanotech), Dave Smeds (on the practical obstacles to reaching nanotech), Greg Bear (on writing Blood Music before nanotechnology really became well-known, and why he use it, and his own sins of treating nanotech as 'magic', and the legacy of the Frankenstein image, and his own feeling that we need to know as much as possible)

Next Week, Writer's Workshops, Games, and Awards, the last set of PoG links until the person posting them posts some more, I guess.

In other TV news, what's been new... Heroes, meh. I think it's the last year anyway, so its not really worth getting worked up about, but the developments in the latest ep do not particularly interest me. Flashforward is still entertaining in terms of its normal plot and it's done a good job of keeping me interested with some of the twists they've introduced, although some sloppiness with how the visions work still annoys me.

Glee's still okay, but I'm finding the main characters less and less likable with each ep, with a few exceptions (I liked the Quinn/Rachel scene in this week's episodes) and they really need to start focusing on the minor characters.

Supernatural had a solid MOTW episode.

The big TV story for me was that Stargate Universe had the third part of its premiere, and again, not bad. There's a couple spoilery elements I want to talk about behind the cut (including a possible "I CALLED IT" moment), and some speculation/wonderings for the future: Read more... )


I think that's it for this week. It's Thanksgiving Weekend here in Canada, so to all the Canucks on my list, Happy Thanksgiving. Except, not for me. Apparently most of my immediate family is working this weekend, including tomorrow, so we won't be doing anything until sometime a little later. So no big meal for me, alas. Oh well.
newnumber6: Ghostly being (Default)
Projects: (October 3, 1991) - Isolated upcoming projects in comics, animation, and SF.
Part One: Mike Carlin (on The Psycho), George Pratt (on a comic project about the Blues), Neil Adams (on Bucky O'Hare the animated series based on a comic)
Part Two: James Morrow (on his upcoming novel Towing Jehovah), Michael Swanwick (on Stations of the Tide), William Gibson (on Virtual Light), Dan Simmons (on doing a movie treatment for Carrion Comfort, and co-writing a SF mystery involving fractals and chaos theory)
Part Three: Simmons continued (a bit specifically on the problems of combining SF and mystery), Michael Dorn (on a storyline he'd like to see in ST:TNG, connecting Worf to Cyrano de Bergerac, and his role in Star Trek 6), fandom rumors about ST6 from Toronto Trek, Walter Koenig (on writing a treatment for a ST movie that got rejected, and a suggestion he made for ST6 involving the death of a main character), a viewer letter about the 'death of Star Trek'.

Utopia: March 18, 1993
Utopias in comics and SF

Part One: Bruce Sterling (on Utopias being Bogus), Clive Barker (on Plato's horrible definition of Utopia), Alan Moore (on exploring Utopia in Miracleman, and Utopia as a verb, and the superhero dream being antihuman), Neil Gaiman (agreeing with Utopia as a verb, but disagreeing with the idea that Miracleman actually dealt with a Utopia, and the problem with Utopia is that once you've got it, you fill it with people), Mark Buckingham (on avoiding dealing with Miracleman himself and looking at the rest of the world), Neil Gaiman again (on pulling focus back away from Miracleman himself), Samuel R. Delany (on Triton as a 'sexual utopia', differences from SF thinking and Utopian thinking)
Part Two: Clive Barker (on why fantastic fiction is the perfect place for Utopias), James Morrow (on a 'Utopia' city based on complete honesty in City of Truth and a pacifist utopia in The Wine of Violence), Geoff Ryman (on the Child Garden being an ambiguous utopia, and why utopias often focus on a particular person against the society), Ian M. Banks (on using a protagonist opposed to the Culture in Consider Phlebas, and writing along the outskirts of a Utopia)
Part Three: Sean Stewart (on Passion Play, which involves a dystopia evolving out of an attempt to create a Christian Utopia, and the need for Faith for a society to work), Kim Stanley Robinson (on his utopia novel, Pacific Edge and the question of "Utopia: Can we get there from here?", and the problem of multinational corporations being the biggest threat to a 'better world', and ending his book on a sad note)

Ecology in comics and SF: April 22, 1993
Part One: Frederick Pohl (on Our Angry Earth, a non-fiction book on ecology with Isaac Asimov, and why he doesn't think Zero Population Growth is the most urgent need), Paul Chadwick (creator of Concrete, on what he sees as the biggest Ecological Problem facing us, OverPopulation, and whether/how politics should play a role), Kim Stanley Robinson (on the importance of population control)
Part Two: Paul Chadwick (discussing the religious "be fruitful and multiply" and reading a speech from Concrete about current population expansion), Kim Stanley Robinson (on the Earth's maximum sustainable population), Jerry Pournelle (on solutions to population growth by producing wealth), Joe Haldeman (on tackling overpopulation in The Forever War, and his personal choice not to contribute to it, compared to people in third world countries who sometimes have no choice)
Part Three: Barry B. Longyear (on why Zero Population Growth became 'uncool' and the problems of enacting it in reality), David Brin (on legislating legal population limits in his novel Earth, and the US "growing up", and protecting your greatgreatgreatgrandchildren as a 'genetic investment', and visiting Easter Island)

Next week I'll do Advice (which I thought I'd do this week but got a bit behind on time), Memory, and maybe Medicine & Nanotechnology.

Continuing on TV, I finally finished Tom Baker's run on Doctor Who. Watched the first Davison episode too. Might watch one more to get a sense of him since he spent most of this one in regeneration madness. Overall, my thoughts on the Fourth Doctor (and a bit that he sheds light on Ten) Read more... )
Do like the new team of companions so far. Tegan, Adric, and Nyssa give me a little bit of the old Jamie/Zoe vibe. Nice to have a set of companions with skills that mesh together well, instead of one companion having to either be superman/woman to compete with the Doctor, or be all but useless in the face of his genius except for legwork.

Otherwise, FlashForward's still in the 'not bad, but we'll see' territory. Heroes is still marginally better. I can't help but think that if they ditched almost all of the 2nd or 3rd season entirely, and just attached this season directly to this one with maybe a tiny bit of connective plot, many of the elements would be workable, even interesting (the current status of Sylar with respect to Matt would be an entertaining way of keeping the actor but not having the problems of the uberpowerful character) but I can't completely forget the past.

The only big new series premiere of the week is Stargate: Universe. Overall, I enjoyed it, although at present I think it's below both SG1 and Atlantis in quality. The early worries/complaints (usually based solely on casting) of it being "Stargate: 90210" seem to be wholly without merit, but there is a strong taste of the new BSG in terms of style. In fact, it looks almost as though... you know in 200 where they did parodies of other SF shows (and a few non-SF shows)? It looks almost as though somebody said, "Hey, let's copy BSG's style for one of those", except instead of being a parody, they did it completely seriously. Very similar. A bit disorienting, but I'm sure I'll get used to it. (a bit more spoilery stuff behind the cut) Read more... )
newnumber6: Ghostly being (Default)
Projects: (October 3, 1991) - Isolated upcoming projects in comics, animation, and SF.
Part One: Mike Carlin (on The Psycho), George Pratt (on a comic project about the Blues), Neil Adams (on Bucky O'Hare the animated series based on a comic)
Part Two: James Morrow (on his upcoming novel Towing Jehovah), Michael Swanwick (on Stations of the Tide), William Gibson (on Virtual Light), Dan Simmons (on doing a movie treatment for Carrion Comfort, and co-writing a SF mystery involving fractals and chaos theory)
Part Three: Simmons continued (a bit specifically on the problems of combining SF and mystery), Michael Dorn (on a storyline he'd like to see in ST:TNG, connecting Worf to Cyrano de Bergerac, and his role in Star Trek 6), fandom rumors about ST6 from Toronto Trek, Walter Koenig (on writing a treatment for a ST movie that got rejected, and a suggestion he made for ST6 involving the death of a main character), a viewer letter about the 'death of Star Trek'.

Utopia: March 18, 1993
Utopias in comics and SF

Part One: Bruce Sterling (on Utopias being Bogus), Clive Barker (on Plato's horrible definition of Utopia), Alan Moore (on exploring Utopia in Miracleman, and Utopia as a verb, and the superhero dream being antihuman), Neil Gaiman (agreeing with Utopia as a verb, but disagreeing with the idea that Miracleman actually dealt with a Utopia, and the problem with Utopia is that once you've got it, you fill it with people), Mark Buckingham (on avoiding dealing with Miracleman himself and looking at the rest of the world), Neil Gaiman again (on pulling focus back away from Miracleman himself), Samuel R. Delany (on Triton as a 'sexual utopia', differences from SF thinking and Utopian thinking)
Part Two: Clive Barker (on why fantastic fiction is the perfect place for Utopias), James Morrow (on a 'Utopia' city based on complete honesty in City of Truth and a pacifist utopia in The Wine of Violence), Geoff Ryman (on the Child Garden being an ambiguous utopia, and why utopias often focus on a particular person against the society), Ian M. Banks (on using a protagonist opposed to the Culture in Consider Phlebas, and writing along the outskirts of a Utopia)
Part Three: Sean Stewart (on Passion Play, which involves a dystopia evolving out of an attempt to create a Christian Utopia, and the need for Faith for a society to work), Kim Stanley Robinson (on his utopia novel, Pacific Edge and the question of "Utopia: Can we get there from here?", and the problem of multinational corporations being the biggest threat to a 'better world', and ending his book on a sad note)

Ecology in comics and SF: April 22, 1993
Part One: Frederick Pohl (on Our Angry Earth, a non-fiction book on ecology with Isaac Asimov, and why he doesn't think Zero Population Growth is the most urgent need), Paul Chadwick (creator of Concrete, on what he sees as the biggest Ecological Problem facing us, OverPopulation, and whether/how politics should play a role), Kim Stanley Robinson (on the importance of population control)
Part Two: Paul Chadwick (discussing the religious "be fruitful and multiply" and reading a speech from Concrete about current population expansion), Kim Stanley Robinson (on the Earth's maximum sustainable population), Jerry Pournelle (on solutions to population growth by producing wealth), Joe Haldeman (on tackling overpopulation in The Forever War, and his personal choice not to contribute to it, compared to people in third world countries who sometimes have no choice)
Part Three: Barry B. Longyear (on why Zero Population Growth became 'uncool' and the problems of enacting it in reality), David Brin (on legislating legal population limits in his novel Earth, and the US "growing up", and protecting your greatgreatgreatgrandchildren as a 'genetic investment', and visiting Easter Island)

Next week I'll do Advice (which I thought I'd do this week but got a bit behind on time), Memory, and maybe Medicine & Nanotechnology.

Continuing on TV, I finally finished Tom Baker's run on Doctor Who. Watched the first Davison episode too. Might watch one more to get a sense of him since he spent most of this one in regeneration madness. Overall, my thoughts on the Fourth Doctor (and a bit that he sheds light on Ten) Read more... )
Do like the new team of companions so far. Tegan, Adric, and Nyssa give me a little bit of the old Jamie/Zoe vibe. Nice to have a set of companions with skills that mesh together well, instead of one companion having to either be superman/woman to compete with the Doctor, or be all but useless in the face of his genius except for legwork.

Otherwise, FlashForward's still in the 'not bad, but we'll see' territory. Heroes is still marginally better. I can't help but think that if they ditched almost all of the 2nd or 3rd season entirely, and just attached this season directly to this one with maybe a tiny bit of connective plot, many of the elements would be workable, even interesting (the current status of Sylar with respect to Matt would be an entertaining way of keeping the actor but not having the problems of the uberpowerful character) but I can't completely forget the past.

The only big new series premiere of the week is Stargate: Universe. Overall, I enjoyed it, although at present I think it's below both SG1 and Atlantis in quality. The early worries/complaints (usually based solely on casting) of it being "Stargate: 90210" seem to be wholly without merit, but there is a strong taste of the new BSG in terms of style. In fact, it looks almost as though... you know in 200 where they did parodies of other SF shows (and a few non-SF shows)? It looks almost as though somebody said, "Hey, let's copy BSG's style for one of those", except instead of being a parody, they did it completely seriously. Very similar. A bit disorienting, but I'm sure I'll get used to it. (a bit more spoilery stuff behind the cut) Read more... )

TV and PoG

Sep. 27th, 2009 10:10 am
newnumber6: Ghostly being (Default)
Prisoners of Gravity links first:

Women
Women in SF, Fantasy, and Comics

Part One: Trina Robbins (on how she first got hooked on comics), June Brigman (on why women don't get into comics, and trying to change it using Barbie comics), Louise Simonson (on lack of things in conventional superhero comics for women to relate to), Kate Worley of Omaha, the Cat Dancer (on whether she's bothered by being in one of the few prominent female comics creators), Elaine Lee (on the difficulty of breaking into comics and the 'boys club'), Chris Claremont (on why he was renowned for good female characters and how it became a cliche for him)
Part Two: Steve Bissett (on why comics are so slow to recognize women, and some of the key roles women played in comics). Shift of focus to SF. Lois McMaster Bujold (on whether SF is a good platform for a treatment of women's issues, and her most 'feminist' book), Veronica Hollinger (professor on SF) (on who are the landmark female figures in SF and male writers who are most 'feminist'), Candace Jane Dorsey (on leaving out gender pronouns in her stories), Pamela Argent (on 'strong female characters' who are just men in women bodies), Gregory Benford (on the tension between the sexes as being a good thing and some of the difficulties on juggling everything in SF compared to toher fields)
Part Three: Leona Gom (on creating a 'last man' in an all female world), a story about James Tiptree Jr. (actually a woman under a pen name) being asked to leave a summit on feminism in SF. Lois McMaster Bujold (on if there are difficulties in writing male viewpoints). Switch in focus to Fantasy: Karen Wehrstein (on her own challenges in writing women characters), Tanya Huff (on whether fantasy has improved in terms of the women, and info about something she changed about her own work on realizing it was somewhat sexist), Terence M. Green (on how men and women are different), Trina Robbins (on the complaint about things that interest women being 'banal')

Leisure - May 2, 1991
How we will spend out leisure time in the future, according to SF
Part One: Lois McMaster Bujold (on mandatory zero-gee workouts and the physiological adaptations of zero-g), Andrew Weiner (on some of his leisure-centered short stories, in particular one about filling time in a permanent unemployment), Christopher Hinz (on the idea of recreational space colonies), Jack Womack (on leisure time, or lack thereof, in his Draco books), Gregord Benford (on the management of leisure, and passive leisure), William Gibson (on dismissing 'television' as 'empty calories' leisure, and the mystery of TV and media and what it's doing to us)
Part Two: Alberto Manguel (editor) (on television in the future according to Bradbury in Fahrenheit 451, and how it's somewhat come true, Terence M. Green (on children raised on TV and creating a video literate world), Bruce Sterling (on what he thinks of TV and his 1991 view of future of TV, and Virtual Reality), Douglas Adams (about Virtual Reality and using it to save the world, and creating virtual reality IN reality). Candace Jane Dorsey (on a baseball story on Mars in a collection she edits), Mark Chiarello (on baseball's imagery, and drawing a baseball card collection on the Negro League), Todd McFarlane (on how Spider-Man hangs out when not working), Walt Simonson (on how Thor spends his leisure time)
Part Three: Neil Gaiman (on how Miracle Man recharges), Louise Simonson (on Superhuman not having any leisure time, except for being Clark Kent), Ty Templeton (on his theory on how Superman kicks back), a clip of Superman Song by the Crash Test Dummies, Fabian Nicieza (on whether he'll show Alpha Flight in their leisure time, and what leisure time says about us), Steve Bissett (on the 24 Hour Comic, as a sort of 'game' for comic creators, and other games of artists (the surreal corpse)).

Censorship - October 25, 1990
Part One: Comics facing obsenity charges. Interviews with Harlan Ellison (on the good messages in a lot of SF), Kevin Eastman (on how his characterss influenced a kid to hurt himself), Harlan Ellison (on how the censors are exposed to the 'corrupting material' constantly, and standing up to censors), Steve Bissett (on the Comic Code Authority and the congressional hearings that led to it), Frank Miller (on him feeling relatively free from censorship lately), Steve Bissett (on temporarily dropping the comic code for the Spidey drug issue, and Swamp Thing deciding to do away with the CCA permanently)
Part Two: Spider and Jeanne Robinson (on the problems with censorship of sex in SF, and a particular unsavory reference that an author slipped past the censors), Jack Vance (on some of the censorship he faced), Spider Robinson (on Callahan's Lady, taking place in a brothel, and not being get the stories in the same magazine as the rest of the Callahan stories), Jack Vance (on the basic choices of censorship), Maryanne Neilsen (on whether, as an editor, she's a censor), David Lloyd (on creative choice to leave our detailed of violence and sex in V for Vendetta), Denys Cowan (on being uncomfortable with drawing a lynching scene)
Part Three: Elaine Lee (on handling violence in Starstruck), Elaine Lee and Charles Vess (on a particular censorship blowup around a comic back-up story about a young witch that includes her first period, when the first story had so much violence), Harlan Ellison (about the comic Taboo, and how art should unsettle you), Clive Barker (on worrying about a backlash, another Dr. Werthem).

Next week: Utopia, Ecology, and Advice for wannabe creators.

Now that that's out of the way, TV wrapup for the week. Doctor Who... well, I've met Adric. For some reason, in my head, I always pictured him older, from the name. Seems nice enough so far, although probably not one of my favorites. Only a few episodes left before I can say goodbye to Four and get to Five.

What premiered this week? House... it was okay, but I thought it dragged on too long focusing on House, and I wanted to see the others. And the ending annoyed me. (spoilers) Read more... )

Heroes also premiered and... well, I suppose, objectively speaking, it's probably a little better than last year. But it's still hard to watch and take seriously. The Trust has not just been lost, it's been thoroughly shattered and the pieces each taken on a separate boat ride in a different ocean by a different man who dumps it into the ocean at some random time not in sight of land. It's hard to take anything seriously after the stuff they pulled last year, because there's the feeling at at any moment, they could decide to ignore some plot point they've already established. Slightly more spoilery behind cut Read more... )

Dollhouse also premiered, and it wasn't bad, although they seem to be slightly unskeevying one of the characters at the expense of extra-skeevying one of the relatively unskeevy ones. We'll see how it goes, though, the revelations towards the end could be interesting to go on.

FlashForward... it's okay. Needs time to find it's footing to judge for sure. Not sure the premise really works as a basis for a series, but it's got my attention for a few episodes at least.

Fringe: Okay... the second episode of the second season of X-Files was about a genetic mutant Flukeman. Is it just some wacky coincidence or intentional homage that the Second episode of Fringe's Second Season feels like almost the same thing, only, you know, less interesting (because Fringe is mostly a less interesting version of X-files)?

Otherwise, not much. This week: Stargate Universe, the last thing for... oh, about a month or so probably that I'm looking forward to.

TV and PoG

Sep. 27th, 2009 10:10 am
newnumber6: Ghostly being (Default)
Prisoners of Gravity links first:

Women
Women in SF, Fantasy, and Comics

Part One: Trina Robbins (on how she first got hooked on comics), June Brigman (on why women don't get into comics, and trying to change it using Barbie comics), Louise Simonson (on lack of things in conventional superhero comics for women to relate to), Kate Worley of Omaha, the Cat Dancer (on whether she's bothered by being in one of the few prominent female comics creators), Elaine Lee (on the difficulty of breaking into comics and the 'boys club'), Chris Claremont (on why he was renowned for good female characters and how it became a cliche for him)
Part Two: Steve Bissett (on why comics are so slow to recognize women, and some of the key roles women played in comics). Shift of focus to SF. Lois McMaster Bujold (on whether SF is a good platform for a treatment of women's issues, and her most 'feminist' book), Veronica Hollinger (professor on SF) (on who are the landmark female figures in SF and male writers who are most 'feminist'), Candace Jane Dorsey (on leaving out gender pronouns in her stories), Pamela Argent (on 'strong female characters' who are just men in women bodies), Gregory Benford (on the tension between the sexes as being a good thing and some of the difficulties on juggling everything in SF compared to toher fields)
Part Three: Leona Gom (on creating a 'last man' in an all female world), a story about James Tiptree Jr. (actually a woman under a pen name) being asked to leave a summit on feminism in SF. Lois McMaster Bujold (on if there are difficulties in writing male viewpoints). Switch in focus to Fantasy: Karen Wehrstein (on her own challenges in writing women characters), Tanya Huff (on whether fantasy has improved in terms of the women, and info about something she changed about her own work on realizing it was somewhat sexist), Terence M. Green (on how men and women are different), Trina Robbins (on the complaint about things that interest women being 'banal')

Leisure - May 2, 1991
How we will spend out leisure time in the future, according to SF
Part One: Lois McMaster Bujold (on mandatory zero-gee workouts and the physiological adaptations of zero-g), Andrew Weiner (on some of his leisure-centered short stories, in particular one about filling time in a permanent unemployment), Christopher Hinz (on the idea of recreational space colonies), Jack Womack (on leisure time, or lack thereof, in his Draco books), Gregord Benford (on the management of leisure, and passive leisure), William Gibson (on dismissing 'television' as 'empty calories' leisure, and the mystery of TV and media and what it's doing to us)
Part Two: Alberto Manguel (editor) (on television in the future according to Bradbury in Fahrenheit 451, and how it's somewhat come true, Terence M. Green (on children raised on TV and creating a video literate world), Bruce Sterling (on what he thinks of TV and his 1991 view of future of TV, and Virtual Reality), Douglas Adams (about Virtual Reality and using it to save the world, and creating virtual reality IN reality). Candace Jane Dorsey (on a baseball story on Mars in a collection she edits), Mark Chiarello (on baseball's imagery, and drawing a baseball card collection on the Negro League), Todd McFarlane (on how Spider-Man hangs out when not working), Walt Simonson (on how Thor spends his leisure time)
Part Three: Neil Gaiman (on how Miracle Man recharges), Louise Simonson (on Superhuman not having any leisure time, except for being Clark Kent), Ty Templeton (on his theory on how Superman kicks back), a clip of Superman Song by the Crash Test Dummies, Fabian Nicieza (on whether he'll show Alpha Flight in their leisure time, and what leisure time says about us), Steve Bissett (on the 24 Hour Comic, as a sort of 'game' for comic creators, and other games of artists (the surreal corpse)).

Censorship - October 25, 1990
Part One: Comics facing obsenity charges. Interviews with Harlan Ellison (on the good messages in a lot of SF), Kevin Eastman (on how his characterss influenced a kid to hurt himself), Harlan Ellison (on how the censors are exposed to the 'corrupting material' constantly, and standing up to censors), Steve Bissett (on the Comic Code Authority and the congressional hearings that led to it), Frank Miller (on him feeling relatively free from censorship lately), Steve Bissett (on temporarily dropping the comic code for the Spidey drug issue, and Swamp Thing deciding to do away with the CCA permanently)
Part Two: Spider and Jeanne Robinson (on the problems with censorship of sex in SF, and a particular unsavory reference that an author slipped past the censors), Jack Vance (on some of the censorship he faced), Spider Robinson (on Callahan's Lady, taking place in a brothel, and not being get the stories in the same magazine as the rest of the Callahan stories), Jack Vance (on the basic choices of censorship), Maryanne Neilsen (on whether, as an editor, she's a censor), David Lloyd (on creative choice to leave our detailed of violence and sex in V for Vendetta), Denys Cowan (on being uncomfortable with drawing a lynching scene)
Part Three: Elaine Lee (on handling violence in Starstruck), Elaine Lee and Charles Vess (on a particular censorship blowup around a comic back-up story about a young witch that includes her first period, when the first story had so much violence), Harlan Ellison (about the comic Taboo, and how art should unsettle you), Clive Barker (on worrying about a backlash, another Dr. Werthem).

Next week: Utopia, Ecology, and Advice for wannabe creators.

Now that that's out of the way, TV wrapup for the week. Doctor Who... well, I've met Adric. For some reason, in my head, I always pictured him older, from the name. Seems nice enough so far, although probably not one of my favorites. Only a few episodes left before I can say goodbye to Four and get to Five.

What premiered this week? House... it was okay, but I thought it dragged on too long focusing on House, and I wanted to see the others. And the ending annoyed me. (spoilers) Read more... )

Heroes also premiered and... well, I suppose, objectively speaking, it's probably a little better than last year. But it's still hard to watch and take seriously. The Trust has not just been lost, it's been thoroughly shattered and the pieces each taken on a separate boat ride in a different ocean by a different man who dumps it into the ocean at some random time not in sight of land. It's hard to take anything seriously after the stuff they pulled last year, because there's the feeling at at any moment, they could decide to ignore some plot point they've already established. Slightly more spoilery behind cut Read more... )

Dollhouse also premiered, and it wasn't bad, although they seem to be slightly unskeevying one of the characters at the expense of extra-skeevying one of the relatively unskeevy ones. We'll see how it goes, though, the revelations towards the end could be interesting to go on.

FlashForward... it's okay. Needs time to find it's footing to judge for sure. Not sure the premise really works as a basis for a series, but it's got my attention for a few episodes at least.

Fringe: Okay... the second episode of the second season of X-Files was about a genetic mutant Flukeman. Is it just some wacky coincidence or intentional homage that the Second episode of Fringe's Second Season feels like almost the same thing, only, you know, less interesting (because Fringe is mostly a less interesting version of X-files)?

Otherwise, not much. This week: Stargate Universe, the last thing for... oh, about a month or so probably that I'm looking forward to.
newnumber6: Ghostly being (Default)
Like I did for the midseason, here's my thoughts of the second half of the TV season, stretching roughly from the new year, up until now. I'll generally not be commenting on the whole season, just the second half (excepting of course shows that only debuted in the new year, etc). My criteria for inclusion is if I watched it with most of my attention, most of the time (either now, or up until the midseason point... there've been some dropoffs). There WILL be spoilers, but I'll break each show into a cut.

Prison Break: In short: Well, it's over, and ended up okay, but I still think it should have ended over half a season earlier. Read more... )

Heroes: You know how a guy being tortured to death might look over to another guy being tortured to death, but by a window, and say, "Hey, at least you have a nice view."? Well, that's sort of what the second half of S3 is like from the perspective of the first half. It's still a cluster$!@$, but it's the tiniest bit better. Read more... )

Terminator: The Sarah Connor Chronicles (cancelled, sadly): Short version: Second half of the season started very very poorly, but got kickass at the end. I'll miss it. Read more... )

Lost: Complete season ran in this half, so let's discuss it. Short version: Quite liked it. One of the few cases of a show that's picked up from a couple bad seasons and has gotten better, and, what's more, gone from a show that started with limited SF influence (a couple hints here and there in the first season), to one that is definately all out SF. Read more... )

Dollhouse (new show): Short version: Started poorly, and still probably Whedon's weakest show, but it did pick up. Read more... )

House: This is kinda episodic, so there's not much to say. Short version: The big development shortly after the midseason started, although full of emotional play that made for a good few episodes surrounding it, can't help but lower my interest for the show. Read more... )

Criminal Minds: (cut and pasted from the midseason review since it still applies) Another episodic show. I don't even know why I like it, especially since the awesome Inigo Montoya (that's his name for me from now on) left, but I still mildly enjoy it. No spoilers, no cut. Still enjoying it, maybe because it's my only real 'serial killer crime' show I watch.

Bones: Another show I watch more by circumstances than choice - it's on, nothing else is, and I like it enough to watch it regularly so long as nothing conflicts. I kind of like the way they use rotating assistants, which allows for a variety of different fun characters they use again. Otherwise, the show's okay.

Supernatural: Short version: Mixed, not feeling the arc so much but still enjoy the series. Don't really like a lot of the big developments this year and don't expect that'll change next year.
Read more... )


The Office: Not much to say here. Why? Because I stopped watching it. Not a deliberate act, but it conflicted with Supernatural and somewhere along the way I just stopped bothering to look for episodes online. It was my last half hour comedy show, and now it's gone. Since half the fun of watching it is the ongoing plotlines that don't mean much in isolation, I don't even know if it's worth watching reruns,since they'll skip episodes. *shrug*.

Stargate Atlantis (ended): There were only two episodes left at the end of my midseason review, so it still technically qualifies for this. And those last two episodes were pretty good. Not great, but enjoyable. Still I'm more looking forward to Stargate Universe than I am to an Atlantis movie. They had a good run, but if it ended there I'd be okay with it. (Whereas SG1, I'd still be very disappointed if we never got anymore)

Doctor Who (Planet of the Dead only): I don't have a lot to say about it, I think I already did a post about it. In retrospect, a decent stand-alone episode. Not great, not horribly bad and full of stupid, but almost completely forgettable. In fact, aside from the companion and the general thrust of the plot, I'm having trouble remembering anything about it at all. Can't wait till RTD's gone.

Doctor Who (classic): I finished my run on Sarah Jane Smith some time ago, and just recently finished the Leela run. Short: I quite liked Leela. But the Doctor's a bit of a jerk. Read more... )

Wolverine and the X-Men: Short version: Still pretty enjoyable. Not up to Evolution enjoyability yet, and too much focus on Wolvie, but fun. Read more... )

Spectacular Spider-Man: Watched S2 in this midseason arc, and you know... I think I'm going to call it. This is now the best of the Spider-Man cartoons ever. Read more... )

Battlestar Galactica: All I have to say about this I've said before. It jumped the shark with the final five. Sure, they did a couple cool things with it, but on the whole it's left me a little cold this year, and a very poor ending.

The Listener (new show): There's very little new SF out there, so I wanted to give a new one a chance. This is a Canadian show picked up in the US during the writer's strike. And, you can tell it's Canadian... because it's crap! Okay, not really, but it's a little lame, overearnest, and not all that great. Read more... ). I officially gave it a chance and I am done with it.

I think that's about it. If there are any other shows you know I watch (or wonder if I watch) that I left out, feel free to comment and I'll let you know what I think.
newnumber6: Ghostly being (Default)
Like I did for the midseason, here's my thoughts of the second half of the TV season, stretching roughly from the new year, up until now. I'll generally not be commenting on the whole season, just the second half (excepting of course shows that only debuted in the new year, etc). My criteria for inclusion is if I watched it with most of my attention, most of the time (either now, or up until the midseason point... there've been some dropoffs). There WILL be spoilers, but I'll break each show into a cut.

Prison Break: In short: Well, it's over, and ended up okay, but I still think it should have ended over half a season earlier. Read more... )

Heroes: You know how a guy being tortured to death might look over to another guy being tortured to death, but by a window, and say, "Hey, at least you have a nice view."? Well, that's sort of what the second half of S3 is like from the perspective of the first half. It's still a cluster$!@$, but it's the tiniest bit better. Read more... )

Terminator: The Sarah Connor Chronicles (cancelled, sadly): Short version: Second half of the season started very very poorly, but got kickass at the end. I'll miss it. Read more... )

Lost: Complete season ran in this half, so let's discuss it. Short version: Quite liked it. One of the few cases of a show that's picked up from a couple bad seasons and has gotten better, and, what's more, gone from a show that started with limited SF influence (a couple hints here and there in the first season), to one that is definately all out SF. Read more... )

Dollhouse (new show): Short version: Started poorly, and still probably Whedon's weakest show, but it did pick up. Read more... )

House: This is kinda episodic, so there's not much to say. Short version: The big development shortly after the midseason started, although full of emotional play that made for a good few episodes surrounding it, can't help but lower my interest for the show. Read more... )

Criminal Minds: (cut and pasted from the midseason review since it still applies) Another episodic show. I don't even know why I like it, especially since the awesome Inigo Montoya (that's his name for me from now on) left, but I still mildly enjoy it. No spoilers, no cut. Still enjoying it, maybe because it's my only real 'serial killer crime' show I watch.

Bones: Another show I watch more by circumstances than choice - it's on, nothing else is, and I like it enough to watch it regularly so long as nothing conflicts. I kind of like the way they use rotating assistants, which allows for a variety of different fun characters they use again. Otherwise, the show's okay.

Supernatural: Short version: Mixed, not feeling the arc so much but still enjoy the series. Don't really like a lot of the big developments this year and don't expect that'll change next year.
Read more... )


The Office: Not much to say here. Why? Because I stopped watching it. Not a deliberate act, but it conflicted with Supernatural and somewhere along the way I just stopped bothering to look for episodes online. It was my last half hour comedy show, and now it's gone. Since half the fun of watching it is the ongoing plotlines that don't mean much in isolation, I don't even know if it's worth watching reruns,since they'll skip episodes. *shrug*.

Stargate Atlantis (ended): There were only two episodes left at the end of my midseason review, so it still technically qualifies for this. And those last two episodes were pretty good. Not great, but enjoyable. Still I'm more looking forward to Stargate Universe than I am to an Atlantis movie. They had a good run, but if it ended there I'd be okay with it. (Whereas SG1, I'd still be very disappointed if we never got anymore)

Doctor Who (Planet of the Dead only): I don't have a lot to say about it, I think I already did a post about it. In retrospect, a decent stand-alone episode. Not great, not horribly bad and full of stupid, but almost completely forgettable. In fact, aside from the companion and the general thrust of the plot, I'm having trouble remembering anything about it at all. Can't wait till RTD's gone.

Doctor Who (classic): I finished my run on Sarah Jane Smith some time ago, and just recently finished the Leela run. Short: I quite liked Leela. But the Doctor's a bit of a jerk. Read more... )

Wolverine and the X-Men: Short version: Still pretty enjoyable. Not up to Evolution enjoyability yet, and too much focus on Wolvie, but fun. Read more... )

Spectacular Spider-Man: Watched S2 in this midseason arc, and you know... I think I'm going to call it. This is now the best of the Spider-Man cartoons ever. Read more... )

Battlestar Galactica: All I have to say about this I've said before. It jumped the shark with the final five. Sure, they did a couple cool things with it, but on the whole it's left me a little cold this year, and a very poor ending.

The Listener (new show): There's very little new SF out there, so I wanted to give a new one a chance. This is a Canadian show picked up in the US during the writer's strike. And, you can tell it's Canadian... because it's crap! Okay, not really, but it's a little lame, overearnest, and not all that great. Read more... ). I officially gave it a chance and I am done with it.

I think that's about it. If there are any other shows you know I watch (or wonder if I watch) that I left out, feel free to comment and I'll let you know what I think.
newnumber6: Ghostly being (Default)
First, Happy Birthday [livejournal.com profile] geomant!

Secondly, I just want to rant a bit on Heroes, season finale last night. Major spoilers behind cut.

Read more... )
newnumber6: (rotating2)
First, Happy Birthday [livejournal.com profile] geomant!

Secondly, I just want to rant a bit on Heroes, season finale last night. Major spoilers behind cut.

Read more... )
newnumber6: Ghostly being (Default)
So, this post I'll be giving my thoughts on all the series I watched regularly, as how they stand on the midseason point. This includes shows which've only aired one apisode (Who), and ones which only have two episodes left to go in their entire run (Atlantis). My criteria for inclusion is if I watched it with most of my attention, most of the time.

So, here we go.

Prison Break: Major spoilers for the newest season so far. In short: Kinda enjoyable for most of it, but turned sour around the end.Read more... )

Heroes: Major spoilers for Vol 3: Villains. In short: What a cluster$!@$. Read more... )

Terminator: The Sarah Connor Chronicles: Major spoilers for S2. Short version: Bit of a down-turn in quality from S1, but still some interesting things going on. Read more... )

My Own Worst Enemy (Cancelled): I watched this mainly because it was right after Heroes and nothing else was on. No real spoilers. Short version: Not especially going to miss it. Read more... )

House: This is kinda episodic, so there's not much to say. Minor spoilers for relationshippy stuff in the newest season. Short version: Still enjoyable for what I watch it for, the ongoing stuff doesn't thrill me though. Read more... )

Criminal Minds: Another episodic show. I don't even know why I like it, especially since the awesome Inigo Montoya (that's his name for me from now on) left, but I still mildly enjoy it. No spoilers, no cut. Still enjoying it, maybe because it's my only real 'serial killer crime' show I watch.

Bones: Another show I watch more by circumstances than choice - it's on, nothing else is, and I like it enough to watch it regularly so long as nothing conflicts. Some spoilers but mostly for the end of last season and how it plays out this time. Read more... )

Pushing Daisies (cancelled): Minor spoilers for ongoing plots of S2. Short version: Too bad it's cancelled. Read more... )

Supernatural: Relatively low on spoilers. Short version: Mixed, not feeling the arc so much but still enjoy the series. Read more... )

The Office: Don't have too much to say about this. I kinda feel bad for Andy though. This is probably my one half hour comedy show left.

Stargate Atlantis: There's only two episodes left before the series is over, so this is almost a season-in-review. But not quite. Anyway, no spoilers really. Short version: Enjoying it, but it's a bit weaker and I'm already kind of more excited about Universe.Read more... )

Survivors (BBC): Only minor spoilers, since I don't think anyone on my flist's watched it. Or probably planning to. Short version: Actually the show I've been most looking forward to this month.Read more... ) I'm glad it's getting a second season.

Doctor Who (2008 Christmas Special only): Oh, RTD, you did it again. Decent character work at first, with a crappy plot you must have wrote in the bathroom because it's made out of tissue paper. Major spoilers. Also a bit of fannish speculation for what happens next for the baddies.
Read more... )

I think that's about it. If there are any other shows you know I watch (or wonder if I watch) that I left out, feel free to comment and I'll let you know what I think.

Edited to add:
Wolverine and the X-Men: Not really many spoilers, except perhaps for characters appearing. Short version: Quite liked it.Read more... )
newnumber6: Ghostly being (Default)
So, this post I'll be giving my thoughts on all the series I watched regularly, as how they stand on the midseason point. This includes shows which've only aired one apisode (Who), and ones which only have two episodes left to go in their entire run (Atlantis). My criteria for inclusion is if I watched it with most of my attention, most of the time.

So, here we go.

Prison Break: Major spoilers for the newest season so far. In short: Kinda enjoyable for most of it, but turned sour around the end.Read more... )

Heroes: Major spoilers for Vol 3: Villains. In short: What a cluster$!@$. Read more... )

Terminator: The Sarah Connor Chronicles: Major spoilers for S2. Short version: Bit of a down-turn in quality from S1, but still some interesting things going on. Read more... )

My Own Worst Enemy (Cancelled): I watched this mainly because it was right after Heroes and nothing else was on. No real spoilers. Short version: Not especially going to miss it. Read more... )

House: This is kinda episodic, so there's not much to say. Minor spoilers for relationshippy stuff in the newest season. Short version: Still enjoyable for what I watch it for, the ongoing stuff doesn't thrill me though. Read more... )

Criminal Minds: Another episodic show. I don't even know why I like it, especially since the awesome Inigo Montoya (that's his name for me from now on) left, but I still mildly enjoy it. No spoilers, no cut. Still enjoying it, maybe because it's my only real 'serial killer crime' show I watch.

Bones: Another show I watch more by circumstances than choice - it's on, nothing else is, and I like it enough to watch it regularly so long as nothing conflicts. Some spoilers but mostly for the end of last season and how it plays out this time. Read more... )

Pushing Daisies (cancelled): Minor spoilers for ongoing plots of S2. Short version: Too bad it's cancelled. Read more... )

Supernatural: Relatively low on spoilers. Short version: Mixed, not feeling the arc so much but still enjoy the series. Read more... )

The Office: Don't have too much to say about this. I kinda feel bad for Andy though. This is probably my one half hour comedy show left.

Stargate Atlantis: There's only two episodes left before the series is over, so this is almost a season-in-review. But not quite. Anyway, no spoilers really. Short version: Enjoying it, but it's a bit weaker and I'm already kind of more excited about Universe.Read more... )

Survivors (BBC): Only minor spoilers, since I don't think anyone on my flist's watched it. Or probably planning to. Short version: Actually the show I've been most looking forward to this month.Read more... ) I'm glad it's getting a second season.

Doctor Who (2008 Christmas Special only): Oh, RTD, you did it again. Decent character work at first, with a crappy plot you must have wrote in the bathroom because it's made out of tissue paper. Major spoilers. Also a bit of fannish speculation for what happens next for the baddies.
Read more... )

I think that's about it. If there are any other shows you know I watch (or wonder if I watch) that I left out, feel free to comment and I'll let you know what I think.

Edited to add:
Wolverine and the X-Men: Not really many spoilers, except perhaps for characters appearing. Short version: Quite liked it.Read more... )
newnumber6: Ghostly being (Default)
First Stargate Universe casting is in... veteran actor Robert Carlyle will be playing... a role that wasn't in the initial manifest released during casting, possibly because they were keeping it secret. In the story that reveals him, they've also released a bit more information on the initial plot (that gets the people in the situation for the series). Anyway, I haven't seen much he's been in personally, but he might be good.

Terminator winter finale was only okay.

Heroes finale was mostly craptastic, with a few decent moments. I think this year I might do a MIDSEASON REVIEW of all the TV I've been watching, in the next few weeks, so I'll expand more on it later.

Personally? I seem to be having another cat day. I had an 8 hour sleep last night, and then two separate naps during the day. I dunno why. Nothing to do and I was sleepy, I guess. Been having a few unsettling dreams lately. You know, the kind where I'm happy, or have a hope of becoming such. Meh. My winter's depression typically isn't supposed to start until after New Years, damnit. Meh I said. An emphatic meh to all the world. Having a lot of 'last survivor of a plague' type fantasies lately, in part triggered by Survivors, in part by general depression and loneliness.

Other than the great mehness, feeling just slightly off healthwise. Like I'm mostly recovered from a cold but still have a risk of slipping back in now and then. Isolated spots of coughing, days apart, or random dizziness. *shrug*

Still have the bad half of my Xmas shopping to do. That is, the half that it's not appropriate to give a gift card. I'll see what I can find tomorrow at the mall on the way to work. Speaking of work, very low-level stressing about whether next week's going to be screwed up schedulewise, but not enough to be worth mentioning. And yet I did. So that should give you an idea of how little is going on in my life right now. :P

And to close off, GIANT UNDERSEA STARFISH FOUND OFF ANTARCTICA. Those aren't starfish... those are Elder Thing pets! (Okay, so it's old, but I was just linked it again).
newnumber6: Ghostly being (Default)
First Stargate Universe casting is in... veteran actor Robert Carlyle will be playing... a role that wasn't in the initial manifest released during casting, possibly because they were keeping it secret. In the story that reveals him, they've also released a bit more information on the initial plot (that gets the people in the situation for the series). Anyway, I haven't seen much he's been in personally, but he might be good.

Terminator winter finale was only okay.

Heroes finale was mostly craptastic, with a few decent moments. I think this year I might do a MIDSEASON REVIEW of all the TV I've been watching, in the next few weeks, so I'll expand more on it later.

Personally? I seem to be having another cat day. I had an 8 hour sleep last night, and then two separate naps during the day. I dunno why. Nothing to do and I was sleepy, I guess. Been having a few unsettling dreams lately. You know, the kind where I'm happy, or have a hope of becoming such. Meh. My winter's depression typically isn't supposed to start until after New Years, damnit. Meh I said. An emphatic meh to all the world. Having a lot of 'last survivor of a plague' type fantasies lately, in part triggered by Survivors, in part by general depression and loneliness.

Other than the great mehness, feeling just slightly off healthwise. Like I'm mostly recovered from a cold but still have a risk of slipping back in now and then. Isolated spots of coughing, days apart, or random dizziness. *shrug*

Still have the bad half of my Xmas shopping to do. That is, the half that it's not appropriate to give a gift card. I'll see what I can find tomorrow at the mall on the way to work. Speaking of work, very low-level stressing about whether next week's going to be screwed up schedulewise, but not enough to be worth mentioning. And yet I did. So that should give you an idea of how little is going on in my life right now. :P

And to close off, GIANT UNDERSEA STARFISH FOUND OFF ANTARCTICA. Those aren't starfish... those are Elder Thing pets! (Okay, so it's old, but I was just linked it again).
newnumber6: Ghostly being (Default)
Finished: Wild Cards, Vol 4: Aces Abroad, edited by George R. R. Martin (reread)
Started: Wild Cards, Vol 5: Down and Dirty, edited by George R. R. Martin (reread)

Aces Abroad's the next in the series, but not really one of my favorites. (minor spoilers behind the cut)
Read more... )

Finished: Anansi Boys, by Neil Gaiman
Started: Parable of the Talents, by Octavia Butler

Thoughts on AB behind cut, minor spoilers. Short version: Liked it, but probably the weakest Gaiman novel I've read.
Read more... )

So, since I'm writing this offline while my net is out, I might as well talk about a few more things. Let's start with Wolverine and the X-Men, because apparently, it will be no more. Well, at least, in Canada, on YTV. Teletoon bought exclusive Marvel rights, so YTV isn't airing it any more, and Teletoon will be, starting in January. But that _probably_ means they'll have to rerun the first 12 episodes again, and so it might be a long time before a new one. Grr. Maybe they'll recognize that many people have seen it already and do a marathon or something to get through them quickly.

Saw my first episode of The Sarah Jane Adventures. I only watched it because this was the ep with (spoilers) Read more... )

Terminator wasn't bad this week, but the timeline's pretty screwed up. There's no way there's been 6 months since the series started (unless they decided to take a 3 month jump with this episode). Minor point though.

Heroes? My god it's gotten train-wreck bad again. I have one non-spoilery thing to say. LOOOOOOOOOOOOOOOOOOOOEEEEEEEEB! This wasn't his episode, but I'm blaming him anyway. (More major spoilers beyond the cut)
Read more... )

Anyway, Jeph Loeb will be gone soon but next ep is one he's writing, which of course worries me. And Bryan Fuller is going to be back on the writing staff... starting episode 20... WTF? That's like 2 before the end. And there's no guarantee he'll be back next year. That's not time to turn the Craptanic away from the Iceberg. Meh.

Oddly enough, the only show I've been _excited_ about lately is Survivors, on the BBC. It's not perfect but it hits a lot of my fiction enjoyment buttons. And only a few episodes left about that. Terminator's probably second place but has been a good deal weaker this year.

That's about it.
newnumber6: Ghostly being (Default)
Finished: Wild Cards, Vol 4: Aces Abroad, edited by George R. R. Martin (reread)
Started: Wild Cards, Vol 5: Down and Dirty, edited by George R. R. Martin (reread)

Aces Abroad's the next in the series, but not really one of my favorites. (minor spoilers behind the cut)
Read more... )

Finished: Anansi Boys, by Neil Gaiman
Started: Parable of the Talents, by Octavia Butler

Thoughts on AB behind cut, minor spoilers. Short version: Liked it, but probably the weakest Gaiman novel I've read.
Read more... )

So, since I'm writing this offline while my net is out, I might as well talk about a few more things. Let's start with Wolverine and the X-Men, because apparently, it will be no more. Well, at least, in Canada, on YTV. Teletoon bought exclusive Marvel rights, so YTV isn't airing it any more, and Teletoon will be, starting in January. But that _probably_ means they'll have to rerun the first 12 episodes again, and so it might be a long time before a new one. Grr. Maybe they'll recognize that many people have seen it already and do a marathon or something to get through them quickly.

Saw my first episode of The Sarah Jane Adventures. I only watched it because this was the ep with (spoilers) Read more... )

Terminator wasn't bad this week, but the timeline's pretty screwed up. There's no way there's been 6 months since the series started (unless they decided to take a 3 month jump with this episode). Minor point though.

Heroes? My god it's gotten train-wreck bad again. I have one non-spoilery thing to say. LOOOOOOOOOOOOOOOOOOOOEEEEEEEEB! This wasn't his episode, but I'm blaming him anyway. (More major spoilers beyond the cut)
Read more... )

Anyway, Jeph Loeb will be gone soon but next ep is one he's writing, which of course worries me. And Bryan Fuller is going to be back on the writing staff... starting episode 20... WTF? That's like 2 before the end. And there's no guarantee he'll be back next year. That's not time to turn the Craptanic away from the Iceberg. Meh.

Oddly enough, the only show I've been _excited_ about lately is Survivors, on the BBC. It's not perfect but it hits a lot of my fiction enjoyment buttons. And only a few episodes left about that. Terminator's probably second place but has been a good deal weaker this year.

That's about it.
newnumber6: Ghostly being (Default)
This week I got one book:

Runaways #4 (kinda fillerish, but still fun)

Full reviews as usual at my comic reviews site for anyone interested.

Work wasn't bad, showed up earlyish and wasn't too bad, load-wise.

Been feeling sick, but still writing, PerExWriMo continues.

Some quick TV thoughts:
Heroes: Takes a turn for the ridiculous again. Well, maybe or maybe not. It all depends on whether they have a damn good explanation for why things are happening. But it better damn well not be "ECLIPSES ARE MAGIC". LOOOOOOOOOOOOOOOOEEEEEEEEEB!

Terminator: I totally called one of the revelations in this episode, back in September.
One of the others I didn't see coming though and was kinda cool. And enjoyed the ep as a whole.

Stargate Atlantis: Haven't talked about it lately, but it's actually been a bit on an upswing in recent weeks. Figures it happens after they announce cancellation. Ah well. Supposedly February is when they start filming the pilot for Universe, so I bet we'll be hearing casting news soon.

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